SwingAUT

Swing It Solo

Posted on 15 Feb 2025 Kommentare deaktiviert für Swing It Solo

with Vassia Panayiotou - 18. & 19. April 2026

REGISTRATION IS OPEN - limited spots


 

dn-ceus-stoerer

Saturday, 18. April - Sunday, 19. April 2026

Schedule:

SATURDAY:

11:00 - 13:10 Solo Jazz & Charleston: Focus on rhythms and bodymovement (Level 2)
14:30 - 16:40 Follower Special: spins, turns & swivels (Level 1)

19:00 party with us at our Mini Social

SUNDAY:

11:00 - 13:10 Solo Jazz & Charleston: Focus on transitions & combos (Level 1)
14:30 - 16:40 Follower Special: rhythm, footwork & arms (Level 2)


Levelbeschreibung

Level description

Level 1


You dance about 1 year or more.
In these workshops you'll learn new jazz steps, which you also can use in partner dancing and learn to combine them to be able to also dance solo. You'll learn amazing follower skills for turning and spinning and some styling for swivels on top!
Either you have some experience in Lindy Hop or Solo Jazz you're very welcome to join.

Level 2


You dance about 3 years or more, you go regularly out to social dance and you maybe already visited some international Lindy Hop events. You are comfortable to combine all the things you learnt so far in classes/workshops. You already had some solo classes, you already know some jazz routines, like Shim Sham, Tranky Doo or Big Apple...

Reminder: these are all solo classes, you will dance by yourself without partner. So regardless of the level, in each class you can LEARN A LOT from Tatiana!


Workshop Place:

SwingAUT Studio
Eßlinggasse 9 / Top3,
1010 Wien

 

Party: Saturday, 18. April 2026, 7pm
@ SwingAUT Studio - Eßlinggasse 9, 1010 Wien


ONE TRACK
30€
TWO TRACKS
55€
Each extra Track (if you already booked two)
25€


 

Vassia

Vassia Panagiotou is a Jazz Dance performer, educator and choreographer focusing on African American Vernacular Jazz and Lindy Hop.

Her love for the Jazz Dances has led her to an ongoing pursuit of delving into the cultural roots of this art form. With an unwavering dedication to research and understanding, she focuses on the legacy of the dancers in Harlem and the tradition of the female performance troupes in night clubs and theaters such as the Cotton Club and the Apollo Theatre (Chorus Lines).

To get a deeper understanding of the culture, she is also practicing tap dance focusing on the musical, improvisational aspect of the art form as it was danced by the hoofers in Harlem.

She is based in Athens, where she has played a significant role in the emergence and evolution of the city’s dance-jazz scene. She is a co-founder of Rhythm Hoppers and a leading member of Hot Mallets & the Rhythm Hoppers performers. She also travels frequently across Europe to teach and perform.

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